She is wonderful to work with and the kind of artist whose work sounds even better after you get to meet them.
“I have always loved Selena’s voice and when ‘Let Somebody Go’ arrived it felt like she was the only person to sing it with. Martin also touched on working with Gomez on “Let Somebody Go,” which came out earlier this month. One way or another I hope that anyone listening will just think, ‘Wow, Kid Cudi is amazing.'”
“This is the first time I think that we’ve really taken proper time to record a cover, because in my head I could hear a version of it quite different from the original, that hopefully just reinforces what a brilliant song it is. “‘Day ‘N’ Nite’ I loved when it came out, and I still love love love it,” Chris Martin said in a statement. Both tracks were recorded in Los Angeles at Henson Recording Studio. Lyrically, the track speaks about the struggles that the artist had with his addiction during the time of recording. My favorite track on this album is These Worries featuring Mary J.
Rager, is a great album and a personal favorite of mine. The buoyant, cheerful tunes share an similarly undeniable get-up-and-go thrust.As part of the ongoing Spotify Singles series, Coldplay have shared a spare, piano-led cover of Kid Cudi’s classic “Day ‘N’ Nite.” Not only that, but they’ve reworked their collaboration with Selena Gomez, “Let Somebody Go,” into a stripped-down acoustic version. Kid Cudi’s second studio album, The Man on the Moon II: The Legend of Mr. 'Surfin’ sounds as if it's from the same family as Williams’ worldwide smash ‘Happy’. It’s hard to not to be charmed by the exuberance the tune. Parading his creative oddities with the help of the song’s kid-friendly disguise, Cudi enthusiastically raps, sings and chants his way through the spirited Pharrell Williams produced single ‘Surfin’.
#KID CUDI ALBUM REVIEW BEST SONG TORRENT#
Andre Benjamin’s verse sounds exact and disciplined amid the track’s torrent of hurried ideas. Cudi laces the track with loose vocal cries, lax rap bars, random yelping vocal snippets and animalistic panting. It’s almost as if Cudi performs the song from different personas. There’s something manic about the menacing, murky hip-hop of ’The Guide’ alongside Andre Benjamin. Cudi peppers ’Kitchen’ with melodic, seemingly spur-of-the-moment refrains, which all contribute to the track’s unencumbered flow. Sceptical of people’s intentions and wondering why his lovers are unable to handle his intense nature, Cudi explores the downside of love relationships on the track. The track’s sedated outro is specially alluring.Īnchored by alluringly mellow synth pads and co-produced by WZRD partner Dot Da Genius, ’Kitchen’ is a 2-stepping highlight.
Over the cut’s robust, funky alt-electro bounce, Kid Cudi’s airy, soft, barely there vocals are spread across the tune’s stereo field. Exploring sex in his own special way, ‘Dance 4 Eternity’ manages to channel the sense of intimacy it clearly wants to. Refreshingly, Kid Cudi doesn’t bother imitating any of them on ‘Dance 4 Eternity’. There are several music icons who today’s chart acts tend to consciously and unconsciously reference when making songs about lovemaking or sensuality. ‘Flight At Sight / Advanced’ quickly overshadows ‘Does It’, which impacts untidily due to its countless non-stick ideas. His trademark sound blends satisfyingly with Cudi’s shenanigans on the cut - ‘Advanced’ in particular is gloriously brawny. Williams can’t help but bring his magic to, ‘Flight At Sight / Advanced’. Every track on ‘Passion, Pain & Demon Slayin’ that involves Pharrell Williams either as a performer or producer sticks out in some way.
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